Editorial from Exhibo and official announcements from The Archaeological Museum (University of Jordan).
Editorial coverage on Exhibo
A dated record of an artwork’s physical state for loans, sales, claims and intake, with the fields examiners actually fill
An art condition report records the physical state of a work at a named date, with photographs and controlled vocabulary. This practical guide covers when you need one, standard fields, CCI and Spectrum report types, who writes it, typical fees, and how the document differs from an appraisal or a treatment proposal.
Relative humidity bands, temperature limits and ASHRAE types for paintings, with monitoring and material exceptions
Ideal humidity for artwork sits near a stable mid-range band, not a single magic number. This table-led guide compares CCI, Bizot, Icon, NPS and ASHRAE setpoints, then covers how to monitor the room, which materials break the mid-range rule, what museums do now and what holding a safe climate costs.
Cross-border customs routes, ATA Carnets, UK export licences and Gulf import notes for exhibition and sale shipments
Moving a work across a border means choosing temporary or permanent entry, lining up licences and invoices, and clearing customs with values that stand up to audit. This guide covers carnets, UK export controls, document packs, GCC route differences and when to hire a broker rather than a parcel label.
Day-to-day examination and treatment, ethics, museum labs versus private studios, and how owners commission care work
An art conservator examines, documents, stabilises and treats cultural objects under professional codes. This guide covers daily work, AIC and Icon ethics, institutional versus private practice, material specialisms, commissioning costs, and when to hire a conservator rather than clean at home.
Khmer, Thai, Javanese, Vietnamese and Burmese temple sculpture, court arts and trade routes through named museum works
Southeast Asian art is a field of plural traditions, not one style. This survey tracks Khmer temple-mountains, Sukhothai bronze, Borobudur stone narrative, Dong Son drums, Champa sculpture and Pagan Theravada programmes through works held in Phnom Penh, Bangkok, Jakarta, Hanoi, London and New York.
Olmec jade and basalt, Maya court carving, Mexica Tenochtitlan stone, and Andean clay, metal and fibre before European contact
From Gulf Coast basalt heads to Andean textiles, Pre-Columbian art covers millennia of Indigenous making in Mesoamerica and the Andes. This guide maps Olmec, Maya, Mexica, Chavín, Moche and Inca forms, names museum pieces you can visit, and faces how colonial collecting shaped what galleries still show.
Indus seals, Buddhist sculpture, temple towers and court painting on the subcontinent, from Harappa to the Bengal School
Indian art history tracks Indus urban craft, Buddhist stupas and Gupta Buddhas, Hindu temple programmes and court miniatures across the subcontinent. Named works in Delhi, Karachi, Sarnath, Thanjavur, London and New York show how patronage and ritual shaped form without collapsing into one national style.
Goryeo celadon, pensive bodhisattvas, buncheong ware and Joseon true-view painting across Korea's historical courts
Korean art history spans Three Kingdoms gilt-bronze sculpture, Goryeo celadon with sanggam inlay, Joseon buncheong and white porcelain, and true-view landscapes. This museum-led survey names kiln regions and National Treasure works so you can read a wall label without collapsing Korea into a China or Japan footnote.
From Kakadu rock galleries and Arnhem Land bark to Papunya Tula acrylics: a museum-led history with cultural protocols first
Aboriginal Australian art spans deep-time rock painting, Arnhem Land bark, and the Papunya Tula acrylic movement that remade contemporary painting after 1971. This guide follows institutional histories, names museum-held works with published consent framing, and opens with cultural protocols before any style survey.
Named West, Central and southern African traditions in museum collections, from Nok terracotta to Benin brass and Kongo power figures.
African art in museum speech covers thousands of years and many peoples across distinct regions. This historical survey names Benin, Yoruba, Kongo, Dogon and related court and community arts with museum examples, and tracks how colonial collecting shaped what European and American viewers met first.
How nineteenth-century European painters built an “Orient” of harems, mosques and deserts, and how Said and museums rewrite that gaze
Orientalism in Western art names European pictures of North Africa and the Middle East shaped by empire, travel and studio fantasy. This guide traces Ingres, Delacroix, Gérôme and Matisse through dated museum works, then follows Said, Nochlin, and museum debates on display, provenance and restitution.
Hot beeswax, damar resin and pigment on rigid panels: Fayum portraits, Jasper Johns, and how artists fuse, layer and conserve wax paint today
Encaustic painting binds dry pigment in heated beeswax (often with damar resin), applies it to a rigid support, and fuses each layer with a heat gun or iron. This guide walks materials, studio safety, layering and fusing, Roman Fayum portraits, Jasper Johns's Flag, and what makes wax film fail in heat or UV.
Lost wax from wax positive and ceramic shell through pour, chase and patina, with Greek, Benin and modern foundry practice on named works
Bronze sculpture in the lost wax tradition begins as a model, becomes a hollow wax shell invested in ceramic, receives molten alloy, then passes through chasing and patina. This guide walks wax, shell, pour, chase and patina on Riace warriors, Benin brass and Rodin, Giacometti and Moore foundry casts.
Buon fresco, secco and a secco on lime plaster: chemistry, giornate, Giotto and Michelangelo, and what wall painting costs when pigment becomes stone
Fresco is mural painting in which water-based pigment meets wet lime plaster and fixes as the wall carbonates. This guide separates buon fresco from secco and a secco, walks the plaster layers and a giornata, then reads Pompeii, Giotto's Padua cycle and Michelangelo's Sistine vault with conservators' notes on failure and repair.
Tesserae, mortar, and andamento: how mosaicists build durable pictures in stone and glass, from Roman floors to Byzantine walls.
Mosaic in art is a surface built from small set pieces (tesserae) fixed in mortar or adhesive. This guide covers materials, direct and indirect methods, opus and andamento, six museum examples, failure modes, and what a serious commission costs today.
From Medici groves to Philip II’s poesie, Western painters used Ovid and recovered sculpture to make Greek stories into court pictures.
Vase-painting and Botticelli postcards crowd the same search. This guide stays with Western painting after antiquity: Medici panels, Titian’s poesie for Philip II, Poussin’s reconstructed rites, and the academy’s later rank for Ovid on canvas. Ancient Greek art is linked out, not surveyed here.
Nine public disputes, chosen for a named conservation reason: overcleaning, amateur work, reconstruction ethics or missing records
Restoration fights are arguments about what a treatment removed, added or failed to record. This list sets selection criteria first, then walks nine documented cases from the Sistine Chapel and the National Gallery to Borja, Angkor Wat and Tutankhamun’s mask, with dates and 2026 locations checked against institutional sources.
From examination to varnish: how conservators clean, fill and retouch easel paintings under the ethics of reversibility
Conservators restore paintings through examination, cleaning, filling, retouching and varnish, under codes that demand reversibility. This guide covers studio chemistry, the museum treatment sequence, how the profession formed, why old linings fail, and how private work is priced, without amateur solvent recipes.
How European art academies set training ladders, genre ranks and the polished Salon style that dominated the nineteenth century.
From plaster-cast rooms to Prix de Rome scholarships, academic art was a career system as much as a look. This guide maps French and British academies, the hierarchy of genres, painters from Ingres’s line to Cabanel and Bouguereau, and how modernists turned “academic” into a slur before ateliers revived the craft.
Round arches, thick walls and carved portals: Europe’s eleventh- and twelfth-century visual language for pilgrimage churches.
From Conques to Durham, Romanesque makers vaulted stone naves, carved Last Judgments over doors and cast bronze for liturgy. This guide maps dates, traits, named workshops and key buildings, then follows critics from Bernard of Clairvaux to modern museums, while leaving the Gothic sequel to its sibling essay.
A period survey of prehistoric art: Ice Age conditions, parietal and portable media, major sites, and debates over meaning.
From South African ochre workshops to Chauvet’s sealed chambers and Altamira’s painted ceiling, prehistoric art shows how Ice Age and early farming communities marked stone, bone and ivory. This survey covers media, key sites via museums and replicas, and debates over magic, shamanism and authorship.
From Republic verism to imperial marble: how Romans used portraits, reliefs, mosaics and painted walls as political tools.
Roman art is less a single look than a toolkit: veristic faces for ancestry, Greek bodies for prestige, spiral relief for conquest, painted walls for rooms that had to impress. This period survey tracks patronage and empire from the late Republic to Constantine, with close readings of monuments still standing in Rome and museums.
From Geometric grave markers to Hellenistic drama: how Greek workshops taught the Mediterranean world to see the human body
A period survey of ancient Greek art from Geometric pots to Hellenistic victory monuments. City-states, sanctuaries and trade set the brief; pottery, marble and bronze carried it. Named makers, four close readings, critics of the white-marble myth, and the afterlife that still shapes Western museum rooms.
Greek and Roman virtue revived: hard contours, civic drama and marble calm from the 1760s into the early nineteenth century.
Neoclassicism returned Western art to antique form and moral language. This survey maps dates and academies, the painters and sculptors who set the look, defining works from David to Canova, and how the style dressed Europe’s public face before Romanticism and later classicism answered back in force.
From the end of Rome to the edge of the Renaissance: Early Medieval, Romanesque and Gothic as working tools, not one style.
Medieval art spans more than a thousand years of European making. This guide separates Early Medieval, Romanesque and Gothic habits, follows patronage from monasteries to courts, and anchors the story in works you can still see — without collapsing the Middle Ages into a single cathedral silhouette.
From twelfth-century France to late medieval courts: light, height and craft that remade Europe’s sacred and civic image world.
Gothic art is more than pointed arches. This guide traces how painting, sculpture, stained glass and goldsmiths’ work grew from mid-twelfth-century northern France, spread through cathedral workshops and courts, and stayed influential into the fifteenth century — with the phases, figures and works that make the label usable in a gallery.
Busan committee recognises landmarks across Iran, Lebanon, Palestine and beyond, while emergency protocols highlight sites under threat
The latest World Heritage roster features contentious emergency inscriptions from conflict zones alongside cultural and natural landmarks spanning five continents.
Minister Catherine Pégard outlines 33-point strategy following recent high-profile museum robberies
French authorities introduce comprehensive safeguarding measures and €30m funding package to protect heritage sites after recent high-profile museum robberies.
The 48th World Heritage Committee meeting in Busan recognises mounting threats to Tauric Chersonese following years of disputed stewardship.
A historic Greek settlement in occupied Crimea has been added to the endangered list, highlighting the limitations of international heritage frameworks during armed conflict.
Preservation efforts and archaeological analysis advance following a significant discovery in Quintana Roo
A newly documented sinkhole in Playa del Carmen has yielded pre-Columbian pottery and skeletal fragments, prompting INAH to launch targeted research and conservation measures.
Three exhibitions at Ljubljana's Cukrarna Gallery probe instability, collaboration, and contested histories
Ljubljana's Cukrarna Gallery presents three concurrent exhibitions—Yein Lee's Accomplice, Phil Collins' Nothing Is Inevitable Until It Happens, and untranquil now—through late 2026 and early 2027.
Discoveries in the Bubasteion Necropolis offer fresh insight into Egypt's military and diplomatic ties during the 18th Dynasty
Archaeologists in Egypt have uncovered three tombs dating to the New Kingdom period in the Bubasteion Necropolis at Saqqara, revealing inscriptions that shed light on the region's military and diplomatic connections with the Near East.
How the Liwa desert — the Empty Quarter's northern edge, and the real Arrakis — became one of the most filmed, least understood landscapes on Earth.
Denis Villeneuve filmed Dune in Liwa, on the rim of the Rub' al Khali — the largest sand sea on the planet. A desert that has been an ocean, birthed a nation, and is only now being discovered as a subject for art.
Dutch excavation reveals well-preserved Ramesside period burial with rare coloured wall paintings
Archaeologists have uncovered a 3,000-year-old tomb on Luxor's west bank featuring brightly painted murals that provide valuable insights into elite burial practices during Egypt's New Kingdom period.
A comprehensive guide to Saudi Arabia's desert art revolution, mapping the permanent and temporary masterworks of the AlUla oasis.
Discover how AlUla transformed from an ancient trade route into a leading destination for contemporary land art. Explore the curatorial vision behind Desert X 2026, the permanent monumentality of Wadi AlFann, and the upcoming Contemporary Art Museum partnered with Paris's Centre Pompidou.
Pasados en retorno brings together objects recovered from 13 countries, highlighting both successful returns and ongoing disputes with European institutions
The Museo Nacional de Colombia showcases 1,194 pre-Columbian artefacts repatriated between 2022-2026, examining the complexities of cultural heritage restitution through individual and institutional efforts.
Egyptian excavations uncover rare gold currency and hundreds of ancient texts at the 'Ain al-Sebil settlement
Archaeologists have revealed a remarkably preserved mud-brick settlement dating to Egypt's Byzantine period, containing unusual coinage and over 200 inscribed pottery fragments that illuminate everyday existence in this remote desert community.
An in-depth look at the curators, scenography, and regional commissions shaping Saudi Arabia’s premier international contemporary art platform.
Explore the third edition of the Diriyah Contemporary Art Biennale, "In Interludes and Transitions". Our comprehensive visitor guide covers the co-curators' vision, Formafantasma's industrial scenography, major commissions, and practical tips for navigating the JAX District with Exhibo.
A mid-career survey of the Iraqi abstract painter's layered works exploring conflict, displacement, and ancient Mesopotamian heritage
Asia Society Texas presents the largest iteration of Vian Sora's first US solo museum exhibition, featuring new paintings alongside works by John Chamberlain and Etel Adnan.
An insider's directory to navigating the capital's changing creative spaces, from transformed industrial warehouses to central gallery hubs.
Riyadh's contemporary art scene is expanding at an extraordinary pace. Discover the city's essential creative hubs, from the monumental converted warehouses of the JAX District to the bustling commercial galleries of Al Olaya, with Exhibo's comprehensive cultural guide.
