Tehran · Iran
UNESCO Names 25 New Heritage Sites Amid Global Conflict
Busan committee recognises landmarks across Iran, Lebanon, Palestine and beyond, while emergency protocols highlight sites under threat
A Global Roster of Heritage Amid Conflict
The forty-eighth session of the World Heritage Committee concluded in Busan on 29 July, finalising a highly contested roster of twenty-five new inscriptions. Several nominations emerged from regions currently navigating armed conflict, triggering immediate placements on the Danger List and drawing sharp diplomatic reactions from multiple governments.
Alamut and the Iranian High Ground
Despite escalating military tensions, Tehran's cultural delegation attended the proceedings to celebrate the acceptance of the Alamut Castle complex. Nestled within the Alborz mountains near Qazvin, this fortified network functioned as the strategic and scholarly heart of the Nizari Isma'ilis between the eleventh and thirteenth centuries. The nomination encompasses several subsidiary fortresses, including Lambesar and Sirkuh. Hamideh Choubak, who oversees the site's heritage foundation, emphasised that preserving the complex's original character remains paramount. Historical records indicate the location hosted Persian polymath Khwaja Nasir al-Din Tusi and attracted academics from across Asia and the Middle East, cementing its reputation as a vital crossroads for medieval scientific exchange. The approval elevates Iran's official tally to thirty properties.
Palestinian and Lebanese Sites Face Emergency Measures
Diplomatic friction intensified regarding Sebastia, a West Bank archaeological zone boasting over four millennia of continuous settlement. Overruling Israeli objections, the committee utilised emergency protocols to grant it World Heritage status while simultaneously recommending Danger List inclusion. Palestinian officials highlighted ongoing land seizures and restricted conservation access as primary threats. The designation marks Palestine's sixth recognised property.
Similarly, Lebanon's Mount Amel Castles received emergency protection following centuries of Crusader, Mamluk, and Ottoman modifications. Five fortresses across southern Lebanon now share this status. Samar Karam, representing Lebanon's antiquities directorate, pointed out that armed forces currently occupy three fortresses, effectively blocking routine conservation visits. The broader regional instability, compounded by recent bombardments damaging Tyre's archaeological infrastructure, has prompted urgent calls for international conservation support. Lebanon now holds seven listed sites.
Broader Inscriptions and Historical Markers
Beyond the Middle East, the committee recognised diverse cultural and environmental landmarks. France's Normandy coastline received recognition for its D-Day landing beaches and associated wartime memorials, commemorating the 1944 Allied operations that reshaped European history. Other cultural additions span the Aalto Works in Finland, the Amazonia Theaters in Brazil, and the ancient Buddhist ruins at Sarnath in India. Natural landscapes honoured include Jordan's Aqaba Marine Reserve and the Okefenokee refuge in the United States. Greece's Mount Olympus area stands as the sole mixed property.
The committee also placed four additional locations on the Danger List: South Sudan's Boma-Badingilo migratory habitat, Ukraine's Taurica Chersonese, and Suriname's historic Paramaribo centre.
The remaining cultural roster features remarkable diversity, from the modernist architecture of Gdynia and Tashkent to the historic medinas of the Comoros and the colonial agricultural estates of São Tomé and Príncipe. Asian heritage receives further recognition through the porcelain production hubs of Jingdezhen, the Mongolian Xiongnu burial complexes, and the sacred rock formations of Kazakhstan's Mangystau region. Meanwhile, the natural category highlights ecological resilience, encompassing the UAE's Wadi Wurayah watershed, Denmark's Eocene fossil deposits, and Brazil's Amazonia Theaters, which blend environmental preservation with cultural performance spaces. These additions demonstrate the committee's ongoing effort to document human ingenuity and ecological diversity across disparate geographies.
Editorial Reflection
This year's selections underscore a recurring tension within international heritage preservation: the desire to safeguard human achievement against the backdrop of geopolitical instability. Emergency procedures now serve as a necessary mechanism to highlight sites facing imminent destruction, yet they also expose the limitations of diplomatic frameworks when military realities intersect with archaeological preservation. As monitoring becomes increasingly difficult in occupied or conflict-ridden zones, the global community must translate symbolic recognition into tangible conservation funding and access guarantees.
Galleries mentioned
Museums mentioned
Related reading
The Real Jinn: How the Middle East Imagined Them Before Disney
Seven kings, one for each day of the week. A portrait of Fever. Two spirits keeping a bathhouse warm. What the manuscripts actually show — and what the lamp replaced.
Folio 35v of a manuscript in Oxford shows the public baths at Tiberias in cutaway. Upstairs, people washing. Downstairs, two jinn tending the furnace, mid-conversation. It is not what most of the world expects — and it is much closer to what the unseen was actually understood to be for. A long read across twelve centuries of manuscripts, fieldwork, survey data and horror cinema.
Why Marrakech Is Red and Fez Is Ochre
Two imperial cities, one element in the ground — and the difference between a red city and an ochre one turns out to be half geology, half planning law.
Marrakech shows you the iron in its earth; Fez veils the same iron under lime. What makes each city relentlessly one colour, though, isn't the ground — it's what the twentieth century did to it.
Women of Arab Abstraction
The letter set loose, the line woven, the arabesque the West once threw away — and the women who built modern abstraction out of all three, then got written out of it.
Abstraction is usually told as a Western invention that arrived elsewhere late. Saloua Raouda Choucair, Etel Adnan, Madiha Umar and a room of others tell it differently — often as the only woman in the movement, building modern form from the geometry, craft and calligraphy their own culture already held.