Abu Dhabi — city

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On view

Future exhibitions

Past exhibitions

Fields of Memory by Shalabia Ibrahim
PastGallery

Fields of Memory by Shalabia Ibrahim

Artbooth Gallery · Abu Dhabi

Beauty & Ruin by David Najib Kasir
PastGallery

Beauty & Ruin by David Najib Kasir

Artbooth Gallery · Abu Dhabi

Memoryscape - Group exhibition
PastGallery

Memoryscape - Group exhibition

Artbooth Gallery · Abu Dhabi

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Encoded in Petals by Soraya Abu Naba'a
PastGallery

Encoded in Petals by Soraya Abu Naba'a

Artbooth Gallery · Abu Dhabi

I Am The Letter, I Am The Meaning by Akil Ahmad
PastGallery

I Am The Letter, I Am The Meaning by Akil Ahmad

Etihad Modern Art Gallery · Abu Dhabi

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Threshold by Richard Hearns
PastGallery

Threshold by Richard Hearns

Artbooth Gallery · Abu Dhabi

The Red Between Us
PastGallery

The Red Between Us

Etihad Modern Art Gallery · Abu Dhabi

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Heritage, Memory, & The Body
PastGallery

Heritage, Memory, & The Body

Artbooth Gallery · Abu Dhabi

Nomads In Time by Balnur Assanova
PastGallery

Nomads In Time by Balnur Assanova

Etihad Modern Art Gallery · Abu Dhabi

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Third Eye by Amjad Gharezeddin
PastGallery

Third Eye by Amjad Gharezeddin

Etihad Modern Art Gallery · Abu Dhabi

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Between Lines & Colors Group Exhibition
PastGallery

Between Lines & Colors Group Exhibition

Etihad Modern Art Gallery · Abu Dhabi

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Currents: Journeys in Motion by Vandana Sudhir
PastGallery

Currents: Journeys in Motion by Vandana Sudhir

Etihad Modern Art Gallery · Abu Dhabi

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Summered A Group Show
PastGallery

Summered A Group Show

Artbooth Gallery · Abu Dhabi

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Chroma
PastGallery

Chroma

Etihad Modern Art Gallery · Abu Dhabi

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The Other Side of the Moon
PastGallery

The Other Side of the Moon

O Contemporary · Abu Dhabi

Facets of a Father
PastGallery

Facets of a Father

Etihad Modern Art Gallery · Abu Dhabi

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Gilbert Halaby SONNET V
PastGallery

Gilbert Halaby SONNET V

Artbooth Gallery · Abu Dhabi

Majlis of Memory
PastGallery

Majlis of Memory

Artbooth Gallery · Abu Dhabi

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Intersections
PastGallery

Intersections

O Contemporary · Abu Dhabi

Will You Wait For Me Under That Pine Tree?
PastGallery

Will You Wait For Me Under That Pine Tree?

Artbooth Gallery · Abu Dhabi

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Generational Gifts
PastGallery

Generational Gifts

Artbooth Gallery · Abu Dhabi

November Gardens
PastGallery

November Gardens

Etihad Modern Art Gallery · Abu Dhabi

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Sustainable Art Awareness Project
PastGallery

Sustainable Art Awareness Project

Artbooth Gallery · Abu Dhabi

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Still Life to Abstraction
PastGallery

Still Life to Abstraction

Artbooth Gallery · Abu Dhabi

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Abu Dhabi Art Fair
PastGallery

Abu Dhabi Art Fair

Artbooth Gallery · Abu Dhabi

Abu Dhabi Art
PastGallery

Abu Dhabi Art

Etihad Modern Art Gallery · Abu Dhabi

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Women and Fruits
PastGallery

Women and Fruits

Etihad Modern Art Gallery · Abu Dhabi

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Uncertainty
PastGallery

Uncertainty

Artbooth Gallery · Abu Dhabi

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Empty Spaces
PastGallery

Empty Spaces

Artbooth Gallery · Abu Dhabi

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The World of Banksy
PastGallery

The World of Banksy

Artbooth Gallery · Abu Dhabi

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Salam
PastGallery

Salam

Artbooth Gallery · Abu Dhabi

Art Collective
PastGallery

Art Collective

Artbooth Gallery · Abu Dhabi

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Memories
PastGallery

Memories

Artbooth Gallery · Abu Dhabi

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Flashback
PastGallery

Flashback

Artbooth Gallery · Abu Dhabi

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Distancing
PastGallery

Distancing

Artbooth Gallery · Abu Dhabi

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Break
PastGallery

Break

Artbooth Gallery · Abu Dhabi

Stories from Abu Dhabi

All articles
Sunlight falls in scattered points through the perforated dome of the Louvre Abu Dhabi, Jean Nouvel's "rain of light," onto the pale stone of the museum's interior.
Editorial

The Universal Museum, Rebuilt on Arab Soil

How Abu Dhabi took one of the West's most contested ideas — the museum that claims to hold all of humanity — and moved the question of who gets to frame the world

A portolan chart in the floor, three ewers without a hierarchy, and a $450-million Leonardo no one has seen since it was bought. The Louvre Abu Dhabi is a French–Emirati experiment in what the universal museum becomes when it is rebuilt from a different centre — and whether that moves the centre, or merely moves the Louvre, is the question the building leaves open.

An Arabian oryx, white with long nearly straight ringed horns and dark facial markings, standing in pale desert sand.
Editorial

The Animal We Drew Everywhere Once It Was Gone

From Neolithic rock to airline tailfin — how the Arabian oryx vanished from the desert, came back from nine animals, and multiplied everywhere as a symbol in the very decades it was gone.

The last wild Arabian oryx was shot in 1972. By then it was already a picture — carved on Bronze Age tombs, mistaken by the ancients for a unicorn, praised by poets as the eyes of the beloved. This is the story of an animal that went extinct in the wild and was brought back from nine survivors, and of the strange gap between the creature and the emblem it became: fast, sharp and ascendant on a nation's tailfin, while the animal itself survives by standing still in the shade.

A host pours Arabic coffee from a dallah into a small handle-less finjan cup in a majlis
Editorial

The Coffee Ritual That Ran the Desert

A cup of coffee in the desert was a contract, a test, a truce, and a promise of protection — a whole social order in the tilt of a small white cup.

Among the Bedouin of Arabia, serving coffee was never just hospitality — it was a code. The order of the cups, the amount poured, the shake of the wrist that says enough: a whole unwritten language for turning a dangerous stranger into a guest, and sometimes an ally. The story of Arabic coffee as the social law of the desert — and how it lives on in the region's museums and art.

Aerial view of central Abu Dhabi showing its wide arterial roads and rectangular superblocks, towers lining the perimeters with lower buildings
Editorial

Why Abu Dhabi Has So Much Empty Space

The wide roads and open blocks of the capital look like the luxury of a place with land to spare. They are closer to the opposite — a set of deliberate decisions about planning, land and time, made on an island that was never as limitless as it feels.

The easy explanation is desert plus oil money: room to spread and the means to spread into it. But space is not what a city has — it is what a city decides to do with what it has. Abu Dhabi's emptiness turns out to be almost entirely decided: a modernist grid, a founder who wanted straight roads so the capital could be reached quickly, a land system with no yearly tax and no deadline, a vast greening programme. The room was the plan.