0 galleries · 0 museums · 4 places
Two islands just off the eastern edge of the city, developed over the last fifteen years into a high-rise financial and residential quarter. The art here is public and corporate — plaza commissions, lobby collections, sculpture along the promenades — and you meet it while walking somewhere else.
No published galleries in this district yet.
No published museums in this district yet.
The publisher's first West Asian venture brings global heavyweights and regional pioneers to Saadiyat Island
Frieze debuts in Abu Dhabi with an 84-gallery roster, shifting focus from local development to transnational exchange ahead of its November launch.
An old circle at a crossroads, sharpened by British road engineering, became the way an Arabian city found its way and remembered itself — and it took the bulldozers to reveal it.
In a city where a landmark was more useful than an address, Doha's roundabouts became its navigation, its landscaping and its national image all at once. Now they're being torn out for signalled junctions — and the affection for them arrived, as one scholar put it, only posthumously.
How Abu Dhabi took one of the West's most contested ideas — the museum that claims to hold all of humanity — and moved the question of who gets to frame the world
A portolan chart in the floor, three ewers without a hierarchy, and a $450-million Leonardo no one has seen since it was bought. The Louvre Abu Dhabi is a French–Emirati experiment in what the universal museum becomes when it is rebuilt from a different centre — and whether that moves the centre, or merely moves the Louvre, is the question the building leaves open.
From Neolithic rock to airline tailfin — how the Arabian oryx vanished from the desert, came back from nine animals, and multiplied everywhere as a symbol in the very decades it was gone.
The last wild Arabian oryx was shot in 1972. By then it was already a picture — carved on Bronze Age tombs, mistaken by the ancients for a unicorn, praised by poets as the eyes of the beloved. This is the story of an animal that went extinct in the wild and was brought back from nine survivors, and of the strange gap between the creature and the emblem it became: fast, sharp and ascendant on a nation's tailfin, while the animal itself survives by standing still in the shade.
The former NCMA chief returns to the capital to shape the Saadiyat Island venue's debut year and curatorial strategy
Valerie Hillings has been named the founding director of Guggenheim Abu Dhabi, marking a significant leadership shift ahead of the island campus's December inauguration.
A village half-buried in sand an hour from Dubai, a name that means "she of the little sickle," and what Emirati sources actually say.
The houses at Al Madam went up around 1980 and stood empty by the mid-1990s. People will tell you she lives there — not in the old stories, though. That attachment is recent, and it is the interesting part.
