13 galleries · 0 museums · 3 places
Al Bateen and Al Khalidiya are Abu Dhabi's established residential gallery belt — villa showrooms and ground-floor spaces along Corniche-adjacent streets favoured by local collectors.
No published museums in this district yet.
The coffee plant is Ethiopian. But the drink — roasted, brewed, and made the center of a culture — is Yemeni.
Before the espresso machine, before the café, a Sufi in Yemen brewed a bean to stay awake for God. This is the story of how coffee became coffee — from the prayer lodges of the Shadhili order to the Red Sea port of Mocha that named a drink, and finally to the shape the Gulf poured all of it into: the dallah on the one-dirham coin.
A deep look into the mid-century art movement that liberated the Arabic letter, fusing traditional script with modern abstraction.
The Hurufiyya movement stands as one of the most significant developments in twentieth-century Arab art. Discover how modernist pioneers deconstructed traditional Arabic calligraphy to assert a post-colonial cultural identity, and learn where to experience these works today using Exhibo.
A comprehensive guide to Saudi Arabia's desert art revolution, mapping the permanent and temporary masterworks of the AlUla oasis.
Discover how AlUla transformed from an ancient trade route into a leading destination for contemporary land art. Explore the curatorial vision behind Desert X 2026, the permanent monumentality of Wadi AlFann, and the upcoming Contemporary Art Museum partnered with Paris's Centre Pompidou.
A valley in southern Jordan has become cinema's favourite Mars — not because it is like the planet, but because it looks like the one we carry in our heads.
Put Wadi Rum beside a rover photograph and you can't tell which is Mars. But the desert shares almost nothing with the real planet except its colour — and lately, the illusion has grown powerful enough that real space missions have come to Jordan to rehearse.
A survey of Kazakh tapestry pioneers redefines fibre art at Almaty's Kasteyev Museum
Eight decades after her birth, Batima Zaurbekova's textile innovations take centre stage in a major retrospective that bridges Central Asian craft and contemporary visual culture.
The moon has been the measure of a beautiful face in Arabic verse for fifteen centuries — but beauty was only one of the things that light was ever asked to carry. A history of one disc, from a pre-Islamic ode to a glowing sphere over an Abu Dhabi harbour.
Ya qamar — you moon — is the oldest compliment in Arabic, and almost nothing about it means what we assume. The moon it praised was not always a woman, not always even a kindness, and in the end not only about beauty at all.
