Granite and limestone inscribed installations of Mamsha Al Khair along the Abu Dhabi Corniche promenade

Al Bateen & Al KhalidiyaAbu Dhabi

Mamsha Al Khair

A granite monolith and limestone blocks along the Corniche, carrying a quotation every thirty metres.

Mamsha Al Khair — the Walk of Giving — is a permanent public landmark along the Abu Dhabi Corniche promenade, composed of a granite monolith and a series of limestone installations carrying engraved inscriptions. The quotations appear every 30 metres, running from the East Plaza to the intersection at Emirates Palace.

The project was created by the Abu Dhabi Tourism and Culture Authority — now the Department of Culture and Tourism — and launched in support of the UAE's Year of Giving in 2017. The inscriptions are in both English and Arabic, and the selection is deliberately mixed: alongside the UAE leadership — Sheikh Zayed bin Sultan Al Nahyan, Sheikh Khalifa bin Zayed Al Nahyan, Sheikh Mohammed bin Rashid Al Maktoum and Sheikh Mohamed bin Zayed Al Nahyan — the walk quotes international figures including Mahatma Gandhi and Mother Teresa.

The theme is generosity, social responsibility, tolerance and volunteerism. Mohamed Khalifa Al Mubarak, then chairman of TCA Abu Dhabi, described the installations as intended to enhance the appeal of the Corniche while promoting social responsibility and cultural inclusion. The pieces were designed to be interacted with rather than merely read: visitors are explicitly encouraged to photograph and film themselves with them, so that the messages circulate.

The installations sit within the wider 8-kilometre Corniche promenade, alongside the Blue Flag Corniche Beach, the cycle track and the landscaped waterfront park. They are free, outdoors and accessible at any hour.

Exhibo editorial

Every thirty metres, something to read. That is an unusual rhythm to impose on a seafront — most promenades are designed so you can stop thinking — and it means the Corniche has a text running alongside it that most people walking there have never actually read a single line of.

The casting is the interesting decision. Sheikh Zayed you expect. Gandhi and Mother Teresa on the same walkway, in a state initiative about generosity, is a choice that says something specific about how Abu Dhabi wanted to frame the Year of Giving — not as a national virtue but as a shared one, with the founder placed among people who have nothing else to do with this country. Read four or five in a row on an evening walk between the East Plaza and Emirates Palace. It takes no extra time, since you were walking anyway, and it is the only piece of public art in the city that is designed to be encountered at walking pace rather than stood in front of.

How to find it

Along the Abu Dhabi Corniche promenade, running from the East Plaza west to the intersection at Emirates Palace. The granite monolith is the largest element and stands near the Corniche beach in the Al Bateen stretch, close to the road and the cycle path in a wide paved area; the limestone pieces are spaced at roughly 30-metre intervals along the walkway. Note that some inscriptions are in Arabic only. Free, outdoors and accessible at any hour — best combined with an evening walk along the Corniche, which is also when the light is kindest on the stone.

Similar places

All places

Related stories

A cross-section of a medieval bathhouse: bathers above, and below them two horned fire spirits tending the furnace that heats the water.
Editorial

The Real Jinn: How the Middle East Imagined Them Before Disney

Seven kings, one for each day of the week. A portrait of Fever. Two spirits keeping a bathhouse warm. What the manuscripts actually show — and what the lamp replaced.

Folio 35v of a manuscript in Oxford shows the public baths at Tiberias in cutaway. Upstairs, people washing. Downstairs, two jinn tending the furnace, mid-conversation. It is not what most of the world expects — and it is much closer to what the unseen was actually understood to be for. A long read across twelve centuries of manuscripts, fieldwork, survey data and horror cinema.

Hatta: The Valley That Changed Hands — blog article
Editorial

Hatta: The Valley That Changed Hands

Ninety minutes from Dubai, a mountain town where the same water has shaped human settlement for four thousand years.

Most guides to Hatta list its fort, its dam and its trails. This is the valley told differently — through the single physical problem that has shaped every era of its life. From Bronze Age tombs sited by the water to a mosque timed by shadow to a hydro plant that answers Dubai in ninety seconds, one question runs through four thousand years: where does the water go, and whose turn is it?

Galleries nearby