0 galleries · 6 museums · 1 place
Al Ain Heritage quarter, in Exhibo's map, covers the garden city's museums, forts, and arts centres — an oasis counterpoint to coastal Abu Dhabi.
No published galleries in this district yet.
A village half-buried in sand an hour from Dubai, a name that means "she of the little sickle," and what Emirati sources actually say.
The houses at Al Madam went up around 1980 and stood empty by the mid-1990s. People will tell you she lives there — not in the old stories, though. That attachment is recent, and it is the interesting part.
The second edition of the emirate-wide public art event opens in Al Ain in October and Abu Dhabi in November, led by former MACBA director Elvira Dyangani Ose under the theme "Home: A Glossary for a Communal Sense of Place."
The second edition of the Public Art Abu Dhabi Biennial opens in Al Ain on 23 October 2026 and in the capital on 15 November, running into February 2027. Curated by former MACBA director Elvira Dyangani Ose under the theme "Home: A Glossary for a Communal Sense of Place," the free, citywide programme builds on the acclaimed inaugural edition, several of whose works have since become permanent public installations.
Wikidata knows Gladiator was filmed in Morocco. It doesn’t know where.
Ouarzazate is the second most filmed place in the Middle East and North Africa, yet 25 of its 27 productions are recorded only in Wikipedia prose. We compared filming records worldwide and found that in the Arab world, Wikidata usually knows the country but not the place.
From Arrakis to Tatooine, when a film wants a desert to feel ancient, prophetic and alien, it reaches for an Arab and Berber vocabulary — and reveals more about the West that built it than the region it borrows from.
The wrapped faces, the trilling women, the barely-displaced Arabic: cinema's alien deserts keep sounding Arab. But the vocabulary was assembled in the West — from Orientalist painting to Lawrence to Dune — and it says more about who is looking than about anyone being looked at.
A valley in southern Jordan has become cinema's favourite Mars — not because it is like the planet, but because it looks like the one we carry in our heads.
Put Wadi Rum beside a rover photograph and you can't tell which is Mars. But the desert shares almost nothing with the real planet except its colour — and lately, the illusion has grown powerful enough that real space missions have come to Jordan to rehearse.
A survey of Kazakh tapestry pioneers redefines fibre art at Almaty's Kasteyev Museum
Eight decades after her birth, Batima Zaurbekova's textile innovations take centre stage in a major retrospective that bridges Central Asian craft and contemporary visual culture.
