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A deep cobalt-blue Ilkhanid ceramic bowl decorated with white, red, and cut gold-leaf ornament, its glaze imitating the color of lapis lazuli.
Editorial

Why Disney Made the Genie Blue

The long material and colonial history behind the most recognizable blue body in popular culture.

Almost everyone remembers that Disney's genie is blue. Fewer ask why. The answer runs backward through five thousand years — Egyptian blue standing in for lapis, cobalt on a Mongol palace, the eye that guards against envy, the last color most languages learned to name, and a layout artist photographing Isfahan just before a war — to a color that was rarely, in this part of the world, quite what it claimed to be.

A cross-section of a medieval bathhouse: bathers above, and below them two horned fire spirits tending the furnace that heats the water.
Editorial

The Real Jinn: How the Middle East Imagined Them Before Disney

Seven kings, one for each day of the week. A portrait of Fever. Two spirits keeping a bathhouse warm. What the manuscripts actually show — and what the lamp replaced.

Folio 35v of a manuscript in Oxford shows the public baths at Tiberias in cutaway. Upstairs, people washing. Downstairs, two jinn tending the furnace, mid-conversation. It is not what most of the world expects — and it is much closer to what the unseen was actually understood to be for. A long read across twelve centuries of manuscripts, fieldwork, survey data and horror cinema.