A comprehensive two-year programme targets conservation, accessibility, and spatial redesign across three historic sites
The Uffizi Galleries reveal an ambitious €50 million renovation strategy spanning Florence's primary museums and the Boboli Gardens, outlining funding sources, timelines, and key architectural interventions.
Applications invited for leadership role at Germany's oldest art prize institution
The Frankfurt-based nonprofit behind Florence's century-old artists' retreat opens its search for a new director.
Conservation reveals hidden architectural designs and clarifies Renaissance interventions
The meticulous restoration of Fra Angelico's earliest preserved work uncovers concealed layers and structural innovations ahead of its return to its original Tuscan setting.
Tracing severed connections through suspended filaments and collective memory
The Japanese artist reimagines Milan's central atrium with a site-specific thread installation exploring loss, cyclical time, and public participation.
The artist's new commission explores how rumour circulates through bodies and communities in a two-part work combining dance and sound installation.
As part of the Washwasha exhibition at the 61st Venice Biennale, Taus Makhacheva presents a performance examining gossip as both cultural practice and embodied experience.
Open call for European-based curators to shape Luxembourg's national presentation at the 62nd International Art Exhibition
Applications are now open for the curatorial position at Luxembourg's national pavilion for the 2028 Venice Biennale, with a deadline of September 21, 2026.
National Etruscan Museum presents 37 fresco panels from the François Tomb in landmark exhibition
Italy's €15m acquisition of 4th-century BC Etruscan frescoes goes on display in Rome, showcasing rare mythological narratives and marking a significant cultural heritage victory.
The Belgian artist discusses hybrid creatures, ancient mythology and the philosophy of interdependence behind his new sculptural project
At Palazzo Rota Ivancich, Koen Vanmechelen presents over 40 new works that challenge humanity's illusions of supremacy through taxidermy, bronze and cross-cultural mythological references.
