How independent pavilions are redefining technology-driven practice beyond the main competition
Three off-site presentations challenge prevailing cynicism around artificial intelligence and digital media through inventive installations and critical curation.
How the women of Sejnane and the Sadu tents made a world of geometric art the museum system had no shelf for — and how it is finally being called by its name.
Two women's traditions — the clay of Sejnane in Tunisia, the woven tents of the Arabian Peninsula — share no bloodline, only a rhyme: the same spare geometry, held and passed down by women, in whatever material their world gave them. This is the story of the visual knowledge the West filed under "craft," the makers it kept downstairs, and the contemporary artists now carrying it back up into the room where "art" is defined.
The artist's new commission explores how rumour circulates through bodies and communities in a two-part work combining dance and sound installation.
As part of the Washwasha exhibition at the 61st Venice Biennale, Taus Makhacheva presents a performance examining gossip as both cultural practice and embodied experience.
Open call for European-based curators to shape Luxembourg's national presentation at the 62nd International Art Exhibition
Applications are now open for the curatorial position at Luxembourg's national pavilion for the 2028 Venice Biennale, with a deadline of September 21, 2026.
The Belgian artist discusses hybrid creatures, ancient mythology and the philosophy of interdependence behind his new sculptural project
At Palazzo Rota Ivancich, Koen Vanmechelen presents over 40 new works that challenge humanity's illusions of supremacy through taxidermy, bronze and cross-cultural mythological references.
