News and editorial about Mountains — from Exhibo and from the gallery.
Editorial coverage on Exhibo
Khmer, Thai, Javanese, Vietnamese and Burmese temple sculpture, court arts and trade routes through named museum works
Southeast Asian art is a field of plural traditions, not one style. This survey tracks Khmer temple-mountains, Sukhothai bronze, Borobudur stone narrative, Dong Son drums, Champa sculpture and Pagan Theravada programmes through works held in Phnom Penh, Bangkok, Jakarta, Hanoi, London and New York.
Goryeo celadon, pensive bodhisattvas, buncheong ware and Joseon true-view painting across Korea's historical courts
Korean art history spans Three Kingdoms gilt-bronze sculpture, Goryeo celadon with sanggam inlay, Joseon buncheong and white porcelain, and true-view landscapes. This museum-led survey names kiln regions and National Treasure works so you can read a wall label without collapsing Korea into a China or Japan footnote.
Bronzes, calligraphy, landscape painting, ceramics and the literati brush, from Shang ritual vessels to Qing porcelain
Chinese art is a long conversation between ritual bronze, the written character and ink landscape. This history tracks piece-mould vessels, calligraphic scripts, Song mountains, scholar-amateur painting and Jingdezhen porcelain through named museum works still shown on the walls of major collections.
Binders, drying chemistry, glazing and conservation through museum examples, from van Eyck’s oil films to post-war acrylic on canvas
Oil paint dries by oxidation; acrylic dries as water leaves a polymer film. That difference governs layering, glazing, studio safety and how conservators clean ageing surfaces. This comparison walks binders, process, mid-century adoption, named museum works, and typical material costs without turning into a shopping list.
Positive and negative space, overlapping and atmospheric depth as looking tools, from tomb painting to installation
Space in art is the area around, between and within forms, and the sense of depth a flat surface can imply. This vocabulary guide shows how overlapping, scale and aerial haze organise looking, with named works from Nebamun to Matisse and Whiteread, and how to tell space from composition, form and landscape genre.
How Western painters turned scenery from a backdrop into a genre, from Dutch mills and Claude’s ports to Constable and Impressionist weather
Landscape painting became a European specialism in the seventeenth century, then a vehicle for national feeling, scientific looking and modern colour. This history follows the genre from antiquity’s backgrounds through Dutch naturalism, Claude, the picturesque, Romantic weather and Impressionist light, with four works read in museum collections.
From Geometric grave markers to Hellenistic drama: how Greek workshops taught the Mediterranean world to see the human body
A period survey of ancient Greek art from Geometric pots to Hellenistic victory monuments. City-states, sanctuaries and trade set the brief; pottery, marble and bronze carried it. Named makers, four close readings, critics of the white-marble myth, and the afterlife that still shapes Western museum rooms.
Feeling before classical calm: revolution, the sublime and personal vision in European painting, about 1780 to 1850.
Romanticism put emotion, imagination and the artist’s stance ahead of academic restraint. This guide explains the sublime and contemporary history as subjects, follows Géricault, Delacroix, Goya, Friedrich and Turner, and shows how the movement left Realism and later modern painting its restless inheritance.
Busan committee recognises landmarks across Iran, Lebanon, Palestine and beyond, while emergency protocols highlight sites under threat
The latest World Heritage roster features contentious emergency inscriptions from conflict zones alongside cultural and natural landmarks spanning five continents.
How the Liwa desert — the Empty Quarter's northern edge, and the real Arrakis — became one of the most filmed, least understood landscapes on Earth.
Denis Villeneuve filmed Dune in Liwa, on the rim of the Rub' al Khali — the largest sand sea on the planet. A desert that has been an ocean, birthed a nation, and is only now being discovered as a subject for art.
