Luxembourg Pavilion's immersive insect-centric film trilogy explores ecological anxiety and non-human perspectives
A new cinematic installation by Marc Weis and Martin De Mattia refracts contemporary unease through the eyes of arthropods at South Korea's premier contemporary art festival.
Austria's national pavilion reimagines a museum loft as a living archive of repurposed sculpture and hidden histories.
The Austrian Pavilion transforms an upper-floor gallery into a tactile attic, exploring material memory and marginalised narratives through sculpture and sound.
How four artists reframe non-representational practice through organic process and visual mutation
The Ilmin Museum of Art's latest survey examines how contemporary abstraction navigates the tension between historical legacy and algorithmic generation.
Interrogating visual culture and national identity at the 16th Gwangju Biennale
Irene Campolmi curates the Italian Pavilion, assembling five artists to examine how digital validation and social fabrication actively shape contemporary perception.
Liminality and cross-cultural dialogue at the 2026 edition
The Poland Pavilion examines transition through spatial choreography and a curated convergence of Polish and Korean practices.
Emerging practitioners under 35 are invited to apply for an intensive programme tied to the 16th edition of the South Korean biennial.
The Gwangju Biennale Academy has launched its call for the 2026 International Curator Course, a two-week programme running from August 29 to September 10 that places emerging curators alongside the artistic team of the 16th Gwangju Biennale.
For the first time, the 17th edition will be selected through an open international call rather than closed recommendations.
The Gwangju Biennale Foundation is inviting curators worldwide to apply for the artistic directorship of its 2028 edition, replacing its long-standing recommendation-based appointment system with a fully open process.
Skennen'kó:wa ken? (Do You Carry Great Peace?) features Shelley Niro, Melissa General, and Hannah Claus at the Canada Pavilion
A Kanien'kehá:ka-led exhibition curated by Ryan Rice will represent Canada at the 2026 Gwangju Biennale, exploring Haudenosaunee philosophies of peace, rematriation, and self-governance through interdisciplinary contemporary art.
