Untitled (Mirror)

About the work

A mirror set in an ornate 1980s Syrian walnut frame inlaid with mother of pearl, tin and bone — a domestic heirloom object that becomes a witness to memory and loss. Shown in Silent Witnesses at al markhiya gallery, Katara Cultural Village, Doha (2026), an exhibition examining how familiar objects rooted in intimacy and routine take on new meanings when recontextualised through violence, displacement and fragmentation.