Grand Mosque & Al MaqtaAbu Dhabi
Sheikh Zayed Bridge
Zaha Hadid's sine wave in steel — 842 metres of dune, lit in colour that flows across the spine.
The Sheikh Zayed Bridge crosses the Maqta Channel between mainland Abu Dhabi and the island, and is among the most sculptural pieces of infrastructure anywhere in the Gulf. Designed by Zaha Hadid Architects and built by Archirodon, it is 842 metres long, rises to around 60 to 64 metres, and opened on 25 November 2010 after seven years of construction.
Hadid conceived the bridge as a collection of strands gathered on one shore, then lifted and propelled across the channel — a sinusoidal waveform providing the structural silhouette. Two schemes were developed early on, one called zig-zag and one sand dunes; the approved design takes the wind-shaped desert dune as its subject, with the waves beneath as a secondary reference. Three main steel arches carry road decks cantilevered either side of the bridge's central spine, giving the fluid profile that reads from a distance as a single continuous curve.
The engineering was substantial: reported figures include more than 12,000 tonnes of steel and 250,000 cubic metres of concrete, with roughly 2,500 workers on site. Hadid followed construction closely, down to the colour palette of the arches and bases. The bridge carries a two-way four-lane highway with pedestrian footpath and emergency lanes, and was widely described in the construction press as among the most complex bridges ever built.
The lighting is integral rather than applied. Originally designed by Rogier van der Heide and developed further at Arup, roughly 200 automated fittings wash dynamic coloured light along the spine so that colour flows smoothly across the channel — a scenic feature for distant viewers as much as for people crossing.
This is the third crossing to the island, following the 1968 Maqta Bridge immediately alongside and a second bridge built in the 1970s downstream. It is free to cross at any hour, on foot or by car.
Exhibo editorial
Hadid drew a sine wave and someone had to build it. That is the short version, and it explains the seven years, the twelve thousand tonnes of steel and the fact that engineers still describe this as one of the hardest bridges anyone has attempted — a shape derived from how wind moves sand, executed at a scale where the material has opinions of its own.
The better view is not from the deck. Drive it and you get a road; stand on the Maqta side at dusk with the old blue truss bridge in the foreground and the whole argument resolves — 1968 and 2010, forty metres apart, both crossing the same shallow channel that people once forded at low tide on camels. Then the lights come up and colour starts moving along the spine, and Hadid's bridge does the thing infrastructure almost never does, which is perform.
Gallery
How to find it
Crossing the Maqta Channel between the mainland and Abu Dhabi island, immediately alongside the older Al Maqta Bridge and close to the Sheikh Zayed Grand Mosque. The best views are from the ground rather than the deck: take the road into the Al Maqta district on the island side and work towards the water, where both bridges and the old watchtower line up in a single frame. A pedestrian footpath runs along the bridge itself. Go at dusk and stay past dark for the dynamic colour lighting that flows along the spine.
Similar places
All places
Related stories
Threads of Heritage: Batima Zaurbekova's Woven Legacy
A survey of Kazakh tapestry pioneers redefines fibre art at Almaty's Kasteyev Museum
Eight decades after her birth, Batima Zaurbekova's textile innovations take centre stage in a major retrospective that bridges Central Asian craft and contemporary visual culture.
The Word for Beautiful Was the Word for Moon
The moon has been the measure of a beautiful face in Arabic verse for fifteen centuries — but beauty was only one of the things that light was ever asked to carry. A history of one disc, from a pre-Islamic ode to a glowing sphere over an Abu Dhabi harbour.
Ya qamar — you moon — is the oldest compliment in Arabic, and almost nothing about it means what we assume. The moon it praised was not always a woman, not always even a kindness, and in the end not only about beauty at all.
Frieze Abu Dhabi Unveils Roster for Inaugural West Asia Fair
The publisher's first West Asian venture brings global heavyweights and regional pioneers to Saadiyat Island
Frieze debuts in Abu Dhabi with an 84-gallery roster, shifting focus from local development to transnational exchange ahead of its November launch.