Istanbul

Kadıköy & Moda

0 galleries · 1 museum · 0 places

About this district

Cross to the Asian shore and the tone shifts. Kadıköy is younger, looser, less polished than Beyoğlu — a district of bars, record shops, bookstores and a market that runs all day, and increasingly the place the independent art scene actually lives. The walls carry it first: Yeldeğirmeni, the neighbourhood behind the ferry terminal, turned itself into an open-air mural district, and the street art spills outward from there. Down toward Moda, the galleries and project spaces cluster in converted flats and shopfronts — smaller, artist-run, closer to the ground than anything across the water. In Hasanpaşa, a nineteenth-century gasworks has become Müze Gazhane, its industrial sheds now exhibition halls. The scene here grew from the bottom up.

Galleries

No published galleries in this district yet.

Museums

Places

No published places in this district yet.

An open, columned tomb pavilion with a padlocked iron gate standing on one side and no walls around it, so the locked gate can simply be walked around.
Editorial

Nasreddin: The Trickster Everyone Claims

A padlocked gate with no walls, two rival graves, and stories told among two dozen peoples: how the wise fool of the Islamic world became a shape every culture fills with itself.

In Akşehir, a tomb said to hold Nasreddin Hodja stands in an open pavilion behind a heavy padlocked gate — with no wall on either side. It is the perfect monument to a man who may not be in it. The stories told under his name belong to more than one tradition and more than one century: Turkish, Persian, Arab, Central Asian, Uyghur. Reformist satirists, Soviet novelists, Chinese animators and UNESCO have each tried to give him a fixed home.