2 galleries · 0 museums · 0 places
Above Karaköy the ground climbs steeply to the Galata Tower, a fourteenth-century Genoese watchtower that still fixes the skyline from every angle. The streets around it are the opposite of İstiklal's straight rush — a knot of stepped lanes and nineteenth-century apartment buildings, and along Serdar-ı Ekrem Caddesi in particular, a run of ateliers, design studios and small galleries tucked behind ornate façades. SALT Galata sits at the foot of the hill in a monumental former Ottoman bank, all stone and vaulted ceilings. The Camondo Stairs curl down toward the water nearby. This is art at walking pace, found by looking down side streets.
No published museums in this district yet.
No published places in this district yet.
Wikidata knows Gladiator was filmed in Morocco. It doesn’t know where.
Ouarzazate is the second most filmed place in the Middle East and North Africa, yet 25 of its 27 productions are recorded only in Wikipedia prose. We compared filming records worldwide and found that in the Arab world, Wikidata usually knows the country but not the place.
Newly uncovered ceramic cargo near Kekova rewrites prehistoric navigation records
Archaeologists operating off the Turkish coast have recovered approximately thirty Early Bronze Age storage jars, offering rare physical proof of ancient maritime trade networks.
A padlocked gate with no walls, two rival graves, and stories told among two dozen peoples: how the wise fool of the Islamic world became a shape every culture fills with itself.
In Akşehir, a tomb said to hold Nasreddin Hodja stands in an open pavilion behind a heavy padlocked gate — with no wall on either side. It is the perfect monument to a man who may not be in it. The stories told under his name belong to more than one tradition and more than one century: Turkish, Persian, Arab, Central Asian, Uyghur. Reformist satirists, Soviet novelists, Chinese animators and UNESCO have each tried to give him a fixed home.
Founder Ali Güreli outlines spatial upgrades, Asian focus, and proposed fiscal incentives for the growing fair
The latest iteration of Contemporary Istanbul returns to Tersane Istanbul with a unified ground-level layout, a strategic pivot towards Asian galleries, and discussions surrounding potential tax reforms to stimulate corporate collecting.
The twenty-first edition welcomes seventeen new exhibitors while navigating regional economic headwinds
A look at how the Istanbul fair balances local momentum with international growth against a backdrop of macroeconomic volatility.
Aerial surveys and optical distortions reshape how we perceive landscape and history
Borusan Contemporary presents Olivo Barbieri's first Turkish solo show, examining how elevated perspectives and manipulated focus transform familiar terrains into abstract compositions.
