Amman

Jabal Lweibdeh

5 galleries · 0 museums · 0 places

About this district

A hill west of the Citadel where the art actually lives. Weibdeh is stone stairways and meandering lanes strung between cafés, design studios and galleries, all folding down toward the old city below. Around Paris Circle — which is a circle, not a square, whatever the signs say — students and twenty-somethings talk from morning past midnight, and the galleries sit close enough that you walk between them. This is the densest concentration of art institutions in Amman, and it wears it lightly. The scale is intimate. The pace is unhurried.

Galleries

Museums

No published museums in this district yet.

Places

No published places in this district yet.

Petra Beyond Indiana Jones — blog article
Editorial

Petra Beyond Indiana Jones

The 1989 film gave Petra a façade and invented everything behind it. The real story is in the water systems, the aniconic sculpture, the painter who framed your photograph in 1839 and the families moved out so the world could come in.

Spielberg's crew filmed the Treasury's façade in Jordan, then built the Grail chamber on a soundstage in Hertfordshire — because the real interior of Al-Khazneh is a plain, undecorated room. It's a perfect miniature of how Petra is understood: one wall, photographed a million times a year, standing in for a city that is mostly still unexcavated.

Abstract geometric composition of interlocking angular forms in layered planes of colour.
Editorial

Women of Arab Abstraction

The letter set loose, the line woven, the arabesque the West once threw away — and the women who built modern abstraction out of all three, then got written out of it.

Abstraction is usually told as a Western invention that arrived elsewhere late. Saloua Raouda Choucair, Etel Adnan, Madiha Umar and a room of others tell it differently — often as the only woman in the movement, building modern form from the geometry, craft and calligraphy their own culture already held.

A cross-section of a medieval bathhouse: bathers above, and below them two horned fire spirits tending the furnace that heats the water.
Editorial

The Real Jinn: How the Middle East Imagined Them Before Disney

Seven kings, one for each day of the week. A portrait of Fever. Two spirits keeping a bathhouse warm. What the manuscripts actually show — and what the lamp replaced.

Folio 35v of a manuscript in Oxford shows the public baths at Tiberias in cutaway. Upstairs, people washing. Downstairs, two jinn tending the furnace, mid-conversation. It is not what most of the world expects — and it is much closer to what the unseen was actually understood to be for. A long read across twelve centuries of manuscripts, fieldwork, survey data and horror cinema.