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No published museums in this district yet.
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A landmark auction results in a new domestic benchmark for Impressionist masterworks
Claude Monet's vast 1924 canvas achieves €50m at Sotheby's Paris, establishing a new national record and highlighting shifting collector strategies.
The book that taught Europe to picture the East arrived with no pictures at all. Three centuries of illustrators — Dutch, Egyptian, Persian, French, German, Iraqi — each gave it a face, and every face was a self-portrait.
Open Galland's Thousand and One Nights, the edition that conquered Europe, and there is nothing to look at: no genie, no lamp, not one illustration. The most visually imagined book in the world began blind — and because its text was never fixed either, no picture of it could ever be a copy.
A comprehensive survey at the Fondation Louis Vuitton reuniting collected masterpieces with the designer's own studio practice.
The Paris institution expands its patronage series with a dual-focused examination of Gustave Fayet, bringing together hundreds of acquired works and restored creations to chart his impact on early modernism.
Five international practices compete to transform the Marais courtyard into a dedicated outdoor gallery by 2030
The Musée National Picasso‑Paris has announced its shortlist for a major landscape architecture competition, marking a pivotal moment for the institution's expanding engagement with public space and three-dimensional art.
Aladdin has no Arabic manuscript older than its French translation. Behind the gap stands a young man from Aleppo, catalogued for a century as anonymous.
The most famous "Arabian" tale in the world is missing from the oldest Arabic manuscript of the Thousand and One Nights — because before a French translator wrote it down in Paris, there was no manuscript of it to be missing from.
How Abu Dhabi took one of the West's most contested ideas — the museum that claims to hold all of humanity — and moved the question of who gets to frame the world
A portolan chart in the floor, three ewers without a hierarchy, and a $450-million Leonardo no one has seen since it was bought. The Louvre Abu Dhabi is a French–Emirati experiment in what the universal museum becomes when it is rebuilt from a different centre — and whether that moves the centre, or merely moves the Louvre, is the question the building leaves open.
