As an artist cooperative, the gallery’s programme focuses on providing exhibition opportunities for its members, ranging from emerging practitioners to established figures. The curatorial ethos emphasizes community support and artistic diversity, showcasing works that span various styles and themes through a high-frequency schedule of monthly or bi-monthly exhibitions.
Atlantic Gallery is an artist cooperative located in New York, operating out of Suite 540 at 548 West 28th Street. Established as a member-run space, it has maintained a continuous exhibition programme for over fifty years, hosting solo and group shows featuring painting, drawing, and other media. The gallery maintains regular public hours from Tuesday to Saturday and serves as a platform for its diverse membership of artists.
Hours, directions, and direct contact. For programme or press enquiries, use the contact form below.
548 West 28th St, Suite 540, New York, NY 10001
Editorial coverage on Exhibo
From São Paulo’s 1922 Week and Antropofagia to Torres-García, Madí, Lam and neo-concrete colour: modernisms south of the US border
Latin American modernism is a cluster of twentieth-century programmes, not one school. This guide maps Brazilian Antropofagia, Río de la Plata constructivism, Caribbean Afro-Atlantic painting and later concrete and kinetic work, with named museum holdings and a visit chronology.
Olmec jade and basalt, Maya court carving, Mexica Tenochtitlan stone, and Andean clay, metal and fibre before European contact
From Gulf Coast basalt heads to Andean textiles, Pre-Columbian art covers millennia of Indigenous making in Mesoamerica and the Andes. This guide maps Olmec, Maya, Mexica, Chavín, Moche and Inca forms, names museum pieces you can visit, and faces how colonial collecting shaped what galleries still show.
Named West, Central and southern African traditions in museum collections, from Nok terracotta to Benin brass and Kongo power figures.
African art in museum speech covers thousands of years and many peoples across distinct regions. This historical survey names Benin, Yoruba, Kongo, Dogon and related court and community arts with museum examples, and tracks how colonial collecting shaped what European and American viewers met first.
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