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Jameel Arts Centre — gallery cover
Al Jaddaf & Waterfront · Dubai

Jameel Arts Centre

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Christopher Lee

Christopher Lee

Christopher Lee is one of the more intellectually distinctive architects of his generation — a designer and theorist who has built a global practice on a single idea: that new architecture should be reasoned out from the deep history of building "types" rather than invented as spectacle. His own story is improbable. Born into a poor family in a small town in Malaysia and ethnically Chinese, he left after his GCSEs on a Singaporean government scholarship — a route that bound him to Singapore for years and shaped a career later spent moving between continents. He went on to take the AA Diploma with Honours in London, win a RIBA President's Medal commendation, and earn a doctorate in architecture and urbanism from the Berlage Institute and TU Delft. In 2008 he co-founded Serie Architects with Kapil Gupta, starting out, unusually, by winning international open competitions across India and the UK at the height of globalisation — Lee calls Serie a "third-generation" global practice, distinct from the signature-style studios that came before. The firm now works from London, Mumbai, Singapore and Beijing, with a portfolio focused on cultural, civic and educational buildings: the BMW London 2012 Olympic Pavilion, Singapore's State Courts, the National University of Singapore's School of Design and Environment, and the Jameel Arts Centre in Dubai among them. Alongside practice he is a serious academic, currently Arthur Rotch Design Critic at Harvard's Graduate School of Design and formerly director of the AA's Projective Cities programme, and in 2017 he was named a Mayor's Design Advocate for London. Across all of it runs the same conviction — that the most resonant buildings are the ones that understand the city they enter.

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