Curatorial Ethos
The gallery functions as a commercial platform dedicated to showcasing contemporary Arab and international artists through a consistent schedule of curated exhibitions. Its programme emphasizes visual arts across painting, sculpture, and installation, reflecting a commitment to both established figures and emerging voices within the region.
Karim Gallery operates as a commercial contemporary art space located at 43 Arar St. in Amman, Jordan. The venue maintains a year-round exhibition programme featuring solo and group shows, with regular public hours from Saturday to Thursday and morning visits available by appointment. It represents a roster of regional and international artists, including Dia Al-Azzawi, Mahmoud Obaidi, and Zaid Shawwa, while hosting past presentations such as Timeline and ZeftLand.
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Address
43 Arar St. (Wadi Saqra)
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Artists & People
Full directory →Artists
Represented and guest artists exhibiting with the gallery.
Dia Al-Azzawi
Mahmoud Obaidi
Nabil Shehadeh
Ali Talib
Nazar Yahya
Taghlib Owes
Talib Al Marri
Hassan Manasra
Zaid Shawwa
Dina Haddadin
Nadim Karam
Delair Shaker
Raafat Ballan
Adel el Siwi
Mohamed El Rawas
Nasser Hussein
Rafa Nasiri
Bashar Alhroub
Samer Tabbaa
Nadia Safieddine
Amar Dawod
Naji Chalhoub
Khaled Takreti
Halim Karabibene
Yasser Safi
Zouhair Dabbagh
Mona Nahleh
Winston Lee Mascarenhas
Islam Ibada
George Raftopoulos
Tamim Metlej
Bahram Hajou
Bahram Hajou BAHRAM HAJOU (B.1952) Bahram Hajou (born 1952 in Amuda, Syria) is a Syrian–Kurdish painter internationally recognized for his powerful figurative works exploring themes of identity, displacement, solitude, and human connection. Educated in Germany, where he graduated from the Kunstakademie Münster as a master student of Norbert Tadeusz, Hajou developed a distinctive visual language influenced by German Expressionism, characterized by layered surfaces, expressive lines, and psychologically charged compositions. His works are held in prominent museum and public collections, including the Mathaf: Arab Museum of Modern Art in Doha, the ArtHall Oldenburg in Germany, the corporate collection of Deutsche Bank, and the collection of Rashed Al Khalifa in Bahrain, among others. Through decades of exhibitions across Europe, the Middle East, and the United States, Hajou has established an international presence, continuing to live and work between Münster and New York while producing art that bridges cultures and reflects the emotional complexity of contemporary human experience.
Sinan Hussein
Hani Zurob
Ali Talib Nazar
Abidin
Walaa Dakak
Walid El Masri
Walid El Masri Walid El Masri Of Lebanese origin and born in Syria in 1979, Walid El Masri began his artistic journey in the ancient craft of mosaic making. This early immersion shaped his sensitivity to texture and detail before he entered the Damascus Faculty of Fine Arts, graduating in 2005. His studies deepened under the artist Marwan at the Darat Al Funun Summer Academy in Jordan, a period that expanded his expressive language. A well-known painter based in Damascus for many years, Walid exhibited widely across Syria, London, Paris, Lebanon, Egypt, and the Gulf States. His move to France in 2011 marked a new chapter, where he continued painting and drawing, weaving his past into new visual explorations. Beyond his solo practice, Walid also took part in group exhibitions at the Busan Museum of Art in South Korea (2014); the Institut du monde arabe in Paris (2014 and 2018); the MUCEM in Marseille (2014); and the Institut des Cultures d’Islam in Paris (2020). His early series Chairs, created between 2004 and 2011, revealed a vigorous, raw hand marked by bold gestural strokes. These empty seats whisper of absence and solitude, inviting contemplation of unseen presences and forgotten stories. The paintings become silent rooms where memory and loss linger, a poetic meditation on human isolation and the spaces we leave behind. The series Cocoons, painted from 2014 to 2017 after Walid’s exile, offers a quiet, haunting response to Syria’s upheaval and personal displacement. White, oblong forms hang suspended from a lone tree, poised between earth and sky, caught in a fragile dance of transformation. These cocoons, both cradle and shroud, embody the tension between death and rebirth. The artist’s reflection on the cocoon’s dual nature, life and death intertwined, evokes a delicate hope amid despair, a metaphor for resilience and surrender alike. In 2015, Walid turned to the Children series, portraying naked infants with swollen faces drifting across vast canvases. Their dark, vacant eyes speak of innocence interrupted, of a childhood stolen by tragedy. These spectral figures float between oblivion and memory, embodying the fragile humanity caught in the crossfire of conflict. Yet amid this sorrow, the paintings strive to restore a glimmer of lost innocence, a silent plea for healing. The haunting presence of these children lingers, evoking empathy and a powerful reminder of the cost of war on the most vulnerable. Their presence in the vast, empty spaces speaks not only to loss but also to the enduring spirit of those who survive against all odds. Their fragile forms, suspended in silence, become both witness and testament to lives disrupted yet persistently hopeful. The Peacocks, begun in 2018, place a majestic bird at the heart of Walid’s vision. The peacock’s shimmering feathers and mournful call resonate like a solitary lament echoing through ancestral tales. This sacred creature, a symbol of beauty and vulnerability, embodies the artist’s reverence for life’s fragile splendor. Through it, myth and memory entwine, creating a poetic testament to endurance and grace. Walid El Masri’s work unfolds as a profound visual narrative where exile, memory, and beauty intertwine. His canvases become sacred spaces where silence speaks, absence sings, and the unseen finds form. Through his evocative brushwork and haunting imagery, he offers a meditation on loss and transformation, reminding us that even in darkness, art can kindle hope and reveal the fragile light of resilience.