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Stories from Shanghai

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An open, columned tomb pavilion with a padlocked iron gate standing on one side and no walls around it, so the locked gate can simply be walked around.
Editorial

Nasreddin: The Trickster Everyone Claims

A padlocked gate with no walls, two rival graves, and stories told among two dozen peoples: how the wise fool of the Islamic world became a shape every culture fills with itself.

In Akşehir, a tomb said to hold Nasreddin Hodja stands in an open pavilion behind a heavy padlocked gate — with no wall on either side. It is the perfect monument to a man who may not be in it. The stories told under his name belong to more than one tradition and more than one century: Turkish, Persian, Arab, Central Asian, Uyghur. Reformist satirists, Soviet novelists, Chinese animators and UNESCO have each tried to give him a fixed home.

Abstract editorial illustration of layered translucent textile fragments and overlapping digital weave patterns floating in a warm amber space, suggesting circulation and collective making.

A Pop-up of A Pop-up: Para-Content, Pedagogy and the Politics of Circulation

CHERUBY's summer programme treats exhibitions, residencies and a nomadic theatre school as sites where cultural value emerges through collective making rather than fixed objects.

Running from June to August 2026, CHERUBY's summer programme A Pop-up of A Pop-up brings together an exhibition, artists-in-residence and a roaming theatre school to explore how meaning is generated through circulation, participation and cross-disciplinary collaboration.