Installation view of Martin Parr retrospective at Seoul Museum of Art showing colour photographs arranged in grid formation
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Seoul · South Korea

Martin Parr's Candid Gaze: A Comprehensive Retrospective Opens in Seoul

We Are Martin Parr surveys four decades of the late photographer's unflinching documentation of contemporary life

An Uncomfortable Closeness to the Everyday

The Photography Seoul Museum of Art has organised a significant survey of Martin Parr's work, marking the first major retrospective in Asia since the photographer's death last year. Working in partnership with Magnum Photos and the Martin Parr Foundation, the exhibition brings together fourteen substantial series alongside hundreds of individual images and a carefully selected collection of his photobooks.

Parr spent over four decades training his lens on ordinary moments—people eating, shopping, holidaying, and simply being. His photographs, characterised by saturated colours and tightly cropped compositions, reveal the strange rituals of contemporary existence with a mixture of humour and precision that has become instantly recognisable.

Seoul Museum of Art (SeMA) Seosomun Main Building

Public / academic museum · Jung-gu (Deoksugung-gil). Institutional profile on Exhibo — claim to manage your public presence.

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Beyond Satire, Towards Recognition

Rather than positioning Parr simply as a chronicler of consumer excess or social awkwardness, this exhibition emphasises his consistent method of looking. The photographs draw viewers into uncomfortable proximity with their subjects, forcing a reconsideration of scenes typically ignored or dismissed. These are not caricatures of others, but reflections of ourselves as image-makers and consumers of experience.

The show includes material from his visits to the Korean peninsula between the late 1990s and early 2000s, offering a particular perspective on daily life in both North and South Korea through his characteristic directness.

The Weight of Accumulation

With over 500 photographs on display and ninety photobooks represented, the exhibition demonstrates the scale of Parr's project. From his early experiments with documentary approaches to his later explorations of global tourism and leisure activities, the work accumulates into a comprehensive portrait of how we present ourselves to the world.

Curated by Hyunjung Son with support from Minhoon Lee and Yubin Song, the retrospective runs from July 16 through October 18, 2026, providing audiences in Seoul extended opportunity to engage with one of contemporary photography's most distinctive voices.

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