Andakulova Gallery — gallery cover

Curatorial Ethos

The gallery's objective is to promote Central Asia’s contemporary and visual arts, cultivating a dialogue between the region and the Middle East by reintroducing the art of the 'Stans' to Dubai's artistic hub. It strives to build relationships between artists, writers, specialists, and collectors through its programming.

Andakulova Gallery is a commercial gallery in DIFC, Dubai, founded in 2012 by Natalya Andakulova. The only gallery in Dubai dedicated exclusively to contemporary art from Central Asia, with a particular focus on Uzbekistan and Kazakhstan. The programme presents emerging and established artists across painting, sculpture and mixed media, alongside an educational programme of drawing workshops and lectures. Artists shown include Javlon Umarbekov, Timur D'Vatz, Timur Akhmedov, Alfiz Sabirov and Saule Suleimenova. The gallery participates in regional fairs including Astana Art Fair and conducts ongoing research across the region to identify new talent.

Why this gallery matters

Exhibo editorial

Central Asia has five countries — Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, Uzbekistan — and virtually no gallery representation in the global art market. Natalya Andakulova opened her gallery in DIFC in 2012 with a single proposition: change that. Twelve years later she is still the only gallery in Dubai dedicated exclusively to the art of the region, still travelling back to Tashkent and Almaty to find artists that the market hasn't found yet, still running drawing workshops and lectures on Islamic art alongside the exhibition programme as a way of building an audience rather than waiting for one to arrive. The artists she has brought to DIFC — Javlon Umarbekov, Timur D'Vatz, Timur Akhmedov, Alfiz Sabirov — carry traditions that reach back through Soviet-era art education and further into Islamic ornamental culture, Silk Road iconography, steppe mythology. In Dubai, a city where almost everyone arrives from somewhere else and almost no gallery asks where that somewhere is, Andakulova has spent over a decade making the answer visible. The gallery has participated in Astana Art Fair and shown outside DIFC in collaboration with hotels and institutions across the city. The research is continuous. The commitment is not ambiguous.

Visit

Hours, directions, and direct contact. For programme or press enquiries, use the contact form below.

Address

Unit 18, P4, Damac Park Towers, DIFC

Opening hours

Monday
10:00 – 14:00
Tuesday
10:00 – 14:00
Wednesday
10:00 – 14:00
Thursday
10:00 – 14:00
Sunday
10:00 – 14:00

Artists & People

Full directory →

Artists

Represented and guest artists exhibiting with the gallery.

Founders

Gallery founders and founding directors.

Natalya Andakulova

Natalya Andakulova

Natalya Andakulova grew up in Samarkand — the Silk Road city whose name alone carries the weight of several centuries of cultural exchange. She studied mathematics and physics at the Navoi Institute, earned a bachelor's and then a master's degree, and then decided she was not cut out for a career in science. Art had been pulling at her since a childhood visit to a museum in Tashkent, where the colours and patterns of Central Asian art settled into her imagination and never left. She trained as an art historian, moved to Dubai, and in 2012 opened Andakulova Gallery in DIFC — the only gallery in the city dedicated exclusively to contemporary art from Central Asia. The decision was as much structural as it was personal: Central Asian artists had almost no representation in the global market, no foothold in the Gulf, no institutional advocates in the region. She became all three simultaneously. For over a decade she has been travelling back to Tashkent, Almaty and across the five countries of Central Asia to find artists whose work deserves a wider audience and whose traditions — rooted in Soviet-era art education, Islamic ornamental culture, Silk Road iconography — carry something that the Dubai art market had not seen. She has published a monograph on artist Bakhodir Jalal — A Line to Eternity — with Skira Publications. She has collaborated with the Tashkent Biennale and with Dubai-based art platforms. She has built an educational programme at the gallery that runs drawing workshops and lectures on Islamic art alongside the exhibition calendar. Twelve years in, the gallery represents over twenty artists and the research is continuous.