ADAA Fair Returns to Park Avenue Armory with Smaller, Focused Line-up

Strategic Relaunch Under New Leadership

The Art Dealers Association of America (ADAA) has unveiled the exhibitor list for the inaugural edition of its newly renamed ADAA Fair, marking a deliberate shift in direction following the cancellation of last year's event. The 2025 fair was called off just months before opening, described at the time as a necessary pause to reassess strategy. This year's iteration is the first fully shaped by Kinsey Robb, appointed as the association's executive director in 2024.

"Our pause was strategic," Robb told The Art Newspaper. "We wanted to take stock during a period when the art world and market were undergoing notable shifts."

The fair returns to the Park Avenue Armory from 13 to 16 November, hosting 63 galleries—roughly 20% fewer than in 2024. Robb frames the reduced scale as intentional, allowing for more breathing room between exhibitors, especially those presenting group shows.

A Leaner Model Reflects Market Realities

While global art sales saw a modest 4% rise in 2025, reaching an estimated $59.6 billion according to the Art Basel and UBS Global Art Market Report, the broader landscape remains cautious. Auction houses have reported stronger performance this year, yet galleries continue to weigh participation costs against returns.

"Fairs are being held more accountable to exhibitors," Robb observed. "Galleries are asking harder questions about where they invest time and resources."

Rather than chase growth for its own sake, the ADAA aims to cultivate a fair that galleries want to return to—one rooted in value over volume.

Broad Membership, Regional Focus

The exhibitor roster spans generations of ADAA members, from founding figures like Hirschl & Adler and Krausshaar Galleries to newer voices such as David Lusk Gallery and Luis De Jesus Los Angeles. Twelve first-time participants join the lineup, including Alexander Berggruen and Sargent's Daughters from New York, Piero Atchugarry Gallery from Miami, and Nicodim from Los Angeles.

Regional representation has grown, with galleries from Dallas, Baltimore, Memphis, Chicago, and St Louis taking part. International blue-chip names absent from previous editions include Lehmann Maupin, Almine Rech, and Timothy Taylor.

Curated Highlights Emerge

Early reveals showcase diverse programming: Peter Blum Gallery will present works on paper by Alex Katz; Roberts Projects honors Betye Saar with a solo show coinciding with her centennial; Jessica Silverman features paintings by Julie Buffalohead; and David Lusk Gallery offers a Southern-themed group exhibition including Red Grooms and Maysey Craddock.

Charitable Shift in Preview Gala

For over three decades, the fair's preview gala supported Henry Street Settlement, raising more than $38 million since 1989. During the break year, Henry Street partnered with Independent instead. This November, proceeds will benefit the Whitney Museum of American Art.

"Success isn't just about attendance or sales," Robb said. "It's about ensuring every element—from artist presentation to charitable impact—feels meaningful."