Fragment einer Idylle (1–4)

About the work

Moritz's first quadriptych and the monumental centrepiece of the exhibition. Across four panels, female bodies emerge as if through alchemy from gestural swathes and strokes of paint; slipping in and out of focus, their contours dissolve and re-form, evoking art-historical precedents from Titian to Picasso while remaining driven by instinct and mood. Overall dimensions framed and variable.