Biography
Nadine Khalil is a Lebanese, Dubai-based art critic, editor and independent curator, and one of the more established critical voices working in the Gulf. Her path into art came through the social sciences — her academic background is in anthropology — followed by nearly two decades in arts publishing. She was editor of the Dubai contemporary-art magazine Canvas (2017–2020) and earlier held senior editorial roles at the Beirut magazines A mag and Bespoke (2010–2016), and her criticism appears across the field's leading titles: Artforum, ArtReview Asia, The Art Newspaper, art-agenda, Ocula, The Brooklyn Rail, Artsy, FT and the Women's Review of Books. Beyond journalism she works as a curator and researcher, currently focused on the body as an expanded site of performance and labour, and collaborates with artists engaging performance, technology and the non-human world. She has authored a series of artist monographs (Paroles d'Artistes) on Lebanese artists including Samir Sayegh and Hanibal Srouji and the late filmmaker Jocelyne Saab, edited The Arts Center: Building a Performing Arts Community on Saadiyat Island (NYU Abu Dhabi, 2023), and contributed to volumes such as Evaporating Suns: Contemporary Myths from the Arabian Gulf (Hatje Cantz, 2023). She advises institutions including the Ishara Art Foundation, Goethe-Institut and the NYUAD Arts Center on editorial strategy, mentors artists in Tashkeel's Critical Practice Programme, and previously served as communications strategist for Ishara Art Foundation (2020–2022). At NIKA Project Space she curated the group exhibition I Can No Longer Produce the Limits of My Own Body.